“Preludes” Promo Video

Here’s the promo video for my extended short story, Preludes.


(Please note: I’ve taken Preludes off wattpad, where the promo video lists it as being available and where I had uploaded it for free online viewing for over a year. Preludes is currently available at the other venues listed at the end of the video and below.)

Illuminating the horrors of child sexual abuse from a child’s perspective, Preludes is an extended short story chronicling the experiences of a nine-year-old boy as he struggles to survive sexual abuse by his father in a middle class American family in the 1960s. Preludes is based in significant part on my own childhood.

This video was made in a collaboration with Jennie Kondo, a highly skilled, highly talented photographer and video artist and the designer of the Preludes cover. Hope you’ll check it out.

Preludes is currently available as an ebook at:
Amazon’s Kindle Store
(This is the link for the US Kindle Store. For another Kindle Store, please do a search for “John Brooks” or Preludes on/for that store’s website.)
smashwords.com
Apple’s iBooks Store
(This shows a link for the Preludes page on iTunes. Alternatively, you can search for Preludes in the iBooks Store inside the iBooks app for iPhone and Kindle.)
Barnes & Nobel’s Nook Store
– other ebook sellers to which Smashwords distributes.

Content Warning:
Preludes is suitable only for a mature audience.

Reality of the Facade-3 (Miss America by Day Re-Read-11: Chapter 1 – A Not So Perfect Family (continued))

(The following is the 11th in a series of posts related to my re-reading of Miss America by Day: Lessons Learned from Ultimate Betrayal and Unconditional Love, by Marilyn Van Derbur.)

Continuing from my two previous posts on the matter of the abuser’s “facade” and of the “facade” of the abuser’s family, another thought:

That it would be far more comforting if the abuser’s “facade” were bogus—were, in fact, a facade. That is to say that people can find it quite disturbing that a person who is so authentically, genuinely engaged in various normal aspects of their lives—regarding their work, religious/spiritual activities, or normal aspects of their family life—could be sexually abusing children, particularly their own. The more people realize that a great many child sexual abusers are, in many aspects of their lives, entirely normal, the more difficult it is to demonize them; to place them in the category of “monster” and exclude them from the category of “human.”

Reality of the Facade-2 (Miss America by Day Re-Read-10: Chapter 1 – A Not So Perfect Family (continued))

(The following is the 10th in a series of posts related to my re-reading of Miss America by Day: Lessons Learned from Ultimate Betrayal and Unconditional Love, by Marilyn Van Derbur.)

Continuing from my previous post, some further thoughts on the matter of the abuser’s “facade” and of the “facade” of the abuser’s family:

– The world of wrought-iron tables and pleasant conversation of the adults in my golf course dream wasn’t simply some cover, consciously designed and maintained for the express purpose of concealing the child sexual abuse that was occurring within my family but had its own integrity, its own reality that sought to maintain itself quite apart from the question of whether any such abuse was occurring or not.

– Just as a major genuine, authentic part of Ms. Van Derbur’s father’s life involved his various roles as a Denver community leader in various respects, so a major, authentic part my father’s life involved his roles as a professor at Vanderbilt University and as a member of Westminster Presbyterian Church, so that their actions, in these roles, were every bit as genuine and authentic as their actions when they were sexually abusing their children.

– I’ve often wondered whether my father’s case involved his have some sort of split personality, with him literally, at least in many cases, not remembering his acts of child sexual abuse while leading the “normal” parts of his existence—when, for example, he would be teaching or otherwise fulfilling his professorial duties at Vanderbilt, attending church, having sex with my mother, or presiding over a family dinner.

– With specific regard to a child sexual abuser’s sex life, a child sexual abuser may genuinely and thoroughly enjoy having non-abusive sexual relations with adults—such relations not being a false front in the least but, rather, as much a part of the abuser’s core sexual identity and behavior as his / her sexually abusive behavior with children.

– Of course, the possibility of rank hypocrisy exists. For example, a politician or other community leader who is committing child sexual abuse might vigorously endorse legislative and other efforts having as their central aim the curbing of child sexual abuse; the same such leader—as was the case with Ms. Van Derbur’s father—might serve on the board of an organization dedicated to the proper care of foster children. But even in cases such as these, the child sexual abuser may, from their own standpoint, perceive no contradiction, either because, in some cases, they have succeeded in largely or entirely compartmentalizing that aspect of their life involving child sexual abuse, keeping it separate from the other aspects of their life, or because, in other cases, they have succeeding in rationalizing their abuse to such a degree as to perceive it as being somehow beneficial to the child or children they are abusing.

The outer “facade” of normalcy is often, to a substantial degree anyway, bogus only to the degree that it is perceived or assumed to be representative of the entirety of the abuser’s and abuser’s family’s existence.

Reality of The Facade (Miss America by Day Re-Read-9: Chapter 1 – A Not So Perfect Family (continued))

(The following is the 9th in a series of posts related to my re-reading of Miss America by Day: Lessons Learned from Ultimate Betrayal and Unconditional Love, by Marilyn Van Derbur.)

Following on content from my previous posts on Chapter 1 of Miss America by Day, another point:

The facade is real.

At least, the facade is often real to a substantial degree, when it comes to “perfect” families, such as Ms. Van Derbur’s, or, at least, economically and socially successful, apparently normal families, such as mine was, in which child sexual abuse is occurring.

There sometimes seems to be an unspoken assumption, among many people—an assumption which people holding it may fail to articulate even to themselves—that any aspects of a child sexual abuser’s life that are considered as positive or virtuous from a societal standpoint are obviously “false”—mere fronts whose basic purpose, in the abuser’s life, has been that of camouflage; i.e., to help conceal the abuser’s abusive “core” identity and lifestyle.

And yet my experience in the case of my father—and based, as well, on various books, articles, and other materials regarding child sexual abusers, including research results, that I’ve read over the years—has convinced that a child sexual abuser can be every bit as genuine about various socially virtuous and positive aspects of their lives as any non-abusing adult.

In the case of my father, for example, I believe he was every bit as genuinely interested in and committed to his roles as a university professor (at Vanderbilt University) and as a regularly attending member of one of Nashville’s most prominent Presbyterian churches (Westminster) as a great many professors and churchgoers who are not child sexual abusers.

In the case of dysfunction on the order of, say, alcoholism or even drug dependency, society, I believe, has come a long way since the time of my childhood—the 1950s and 60s—in realizing that a person having a dysfunction such as alcohol or drug abuse can genuinely lead an entirely normal, productive, successful life in many other respects. Similar progress has, however, been quite limited when it comes to child sexual abusers, such that any aspects of their lives which involve social productivity, success, and normalcy tend to be viewed as somehow “false”—as not a part of their true, authentic identity—thereby more easily allowing the perception of child sexual abusers, implicitly if not explicitly, as being beyond the pale of what can be considered as being human—allowing them to more easily be perceived as out-and-out “monsters” rather than all too human beings who sexually abuse children. The popular categorization of child sexual abusers as “monsters” can, it seems to me, make it easier for society to avoid the task of working towards the development whatever approaches and methods might most effectively discourage at least some potential abusers from becoming actual abusers.

More on this matter of the abuser’s “facade” in my next post.

Vastness of Distance and the End of the Universe (Miss America by Day Re-Read-8: Chapter 1 – A Not So Perfect Family (continued))

(The following is the 8th in a series of posts related to my re-reading of Miss America by Day: Lessons Learned from Ultimate Betrayal and Unconditional Love, by Marilyn Van Derbur.)

As I proofread the ending of my March 15th post (“The key point here is that a child being sexually abused within a family context may, on some level, begin to sense the vastness of this distance—between the family facade and the reality of the abuse it is suffering—from an early age, and that this awareness can multiply exponentially the child’s massive sense of isolation, which the child already feels (again, at some level) within the secrecy dynamics of the family itself. Thus, the child realizes that not only must it keep the abuse secret and distant, within the family’s private life, from family members other than the perpetrator, but that, also, the distance between the fact of the abuse and the world outside the family—society at large—is so great as make the abuse and this outside world seem as though they exist in separate universes.”), I thought of a dream that I had when I was about twelve years old.

I’ve always thought of this dream as “The Golf Course Dream,” though it could be more precisely described as an all-out nightmare. I had the dream while sleeping on a pallet on the floor of the study of my grandmother’s house on Lakeview Avenue in Atlanta, Georgia, where we often visited on the trips we took for our vacations. I recall that I was around twelve, though I can’t name a specific reason for this other than some relatively vague, felt sense, when I’ve remembered the dream, of my body’s stage of growth at the time. The dream itself I remember more vividly.

It begins with my consciousness hovering over a broad terrace dotted with glass-topped, wrought iron tables around which fashionably dressed men and women are sitting in wrought iron, cushioned chairs, drinking iced tea and lemonade as they exchange pleasant conversation—in exactly the same fashion as my parents would chat pleasantly with other grown-ups, whether at the faculty parties they hosted at our home in Nashville, Tennessee, or on the back and side porches of the homes of relatives we would visit. The air, in the dream, is of a clear, sun-bright day, and is suffused with the clink of the ice in the men’s and women’s’ glasses and the floating, melodious, rising-falling drone of their voices—a melodiousness that, collectively, reminds me of the melodious, Southern rhythms of the voice of my mother.

My consciousness then drifts away from this scene and passes over a rolling expanse of grass like that of a fairway of a well-tended golf course, until I find myself hovering over a hole like the hole of a golf green.

Inside the hole’s dark interior, numbers begin appearing, large at first—four digits, three digits—but with each number lower than the previous, and that’s when I suddenly realize what will happen: when the numbers reach zero, the Universe will end. The entire Universe—all of it, and everything single thing that’s in it—and somehow my mind is able to intuitively comprehend, to touch the implications of this—of a Nothingness so total, complete that it will cease, somehow, even to be Nothingness—and, comprehending this, I feel an utter and complete terror because I also realize that I am the only person in the entire world who is aware of what is about to happen; that none of the adults—who should be aware, responsible, but who are, instead, chatting on the terrace, sipping their lemonade and iced tea, enveloped in the wafting cloud of their own, pleasant conversation—have the slightest idea of what is about to happen, so that the entire responsibility to stop it—stop the entire Universe from ceasing to exist—rests completely upon myself.

The only thing is, I have absolutely no idea of what to do to stop it, and as I realize all of this the numbers continue dropping, to double, then single digits, and then, so suddenly, it’s there, shining against the hole’s background of black:

0

I wake to a terrifying scream that doesn’t stop, then realize it’s my own. I’m sitting bolt upright on my pallet, my pajamas drenched in sweat. Soon I’m surrounded by my mother, father, grandmother, and other relatives, who live at my grandmother’s or are also visiting, all of them staring at me with mouths agape, the adults’ voices climbing over each other as they ask in urgent tones what’s wrong. My screams die down, then cease, and, even though I can see in the adults’ eyes how disturbed, frightened even, they were by my screams’ abandoned intensity, they’re already mouthing reassurances:

You had a nightmare—that’s all . . . There’s nothing to worry about . . . It was just a nightmare—there’s nothing to worry about at all.

Can I link The Golf Course Dream directly to my abuse? Trace the neuronal pathways between the two? With our present state of knowledge, linkage of such a direct nature is, of course, impossible. I can say that ever since, in 1989, I recovered the bulk of my memories of my father’s sexual abuse, possible connections have readily suggested themselves. What follows is one such interpretation:

I can see the zero as representing the abuse itself, and the descending numbers as some small sliver of time during which some part of my childhood identity—a part that wanted to believe I had control over my world; imagined I had the power to stop the abuse, if only I could think of how. But I couldn’t stop it, of course, and there was no one to help me, for the adults who might have done so were completely unaware of—or, at least, in denial of—the situation, lost as they were in their world of pleasant conversation, sipping their iced tea and lemonade—the kind of world my mother seemed to so love inhabiting, whether with relatives; her friends at Nashville’s Westminster Presbyterian Church, of which we were members; or at social gatherings with other Vanderbilt professors and their wives. (I say “and their wives” since Vanderbilt professors, during that time of the late 1950s and early to mid 1960s, were, almost without exception, male).

And just as with the zero in the dream, the abuse, as it happened, did, in fact, shatter and end the Universe as I knew it, or at least as I wished it to be. A Universe of order and serenity, in which my central integrity would never be violated and my existence never threatened. In which those persons in my life on whom I most relied would, proving themselves worthy of my trust, protect me.

The distance was vast, indeed, between my family’s facade of pleasantness and normalcy which we presented to other relatives—the first ring of society outside the circle of my immediate family—and the reality of the abuse I was suffering. The Gold Course Dream represents, I believe, the acuteness of my awareness, at my mind’s deepest levels, of the reality of this distance and the subsequent extremity of my feelings—again, at my mind’s deepest, largely subconscious levels—of isolation.